Three Things to Consider Before Self-Publishing

Let’s face it. Self-publishing can seem like a lucrative path — you have control over every aspect of your book, marketing, and you don’t have to share profits with anyone, or there’s no advance to pay back. There are no barriers to getting your book out there, such as agents or acquisitions editors in publishing houses. You’ve dreamed of all those book sales and the money and prestige you’ll earn with self-publishing, or simply of just putting your work out there. What’s not to love?

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Honestly? There’s a lot not to love. To really succeed as a self-published author, it takes a lot of hard work, effort, time, and money. It’s a long, hard slog to get anywhere in self-publishing. You need marketing know-how, connections, and knowledge of what really makes a good, quality book that people will want to read.

Here are three things to consider before you take the self-publishing route:

  1. Money/Investing in Your Book
    To make a quality book, one that meets the standards of the publishing industry, it takes money. You’ll need to hire a proofreader at the very least, not to mention a cover designer. (Trust me, I’ve tried designing my own covers. It doesn’t work unless you’re a Photoshop guru with an eye for book design.) You’ll also need to invest in the interior design. Plus, you’ll want to order copies of your physical book, which you’ll at least order at cost typically. Oh, and don’t forget e-book formatting when you get so fed up with the programs not cooperating when trying to do it yourself. You may also want to pay for advertisements of your book. Overall, it can costs hundreds, if not thousands, of dollars to create a quality product.
  2. Time
    Overnight success doesn’t happen in self-publishing. It just doesn’t. It takes time to build an audience, time to market your book. Not to mention all the time it takes to get your book edited, proofed, designed, and printed. You’re not suddenly going to get fifty interviews in just a couple of weeks. No, it takes time to build up to it.
  3. Effort and Know-How
    Okay, yes, so I’ve listed considerations number three and four, but they go hand-in-hand. Not only does it take a lot of time to produce a quality product, but it takes effort. Writing that novel was just the first step. Let’s be honest: Marketing is hard, and it’s a pain in the ass. Trying to network with other authors, creating endless social media posts, building a quality website, trying to get your book featured on various websites to get it seen. It’s a lot of work if you want to make even a dime off of your book. And let’s not forget the know-how! When I first looked into self-publishing, I had no clue what I was doing, especially when it came to ISBNs, barcodes, and distribution. Sure, you can research it all on the internet, but it can be quite confusing if you don’t know what you’re doing.

That’s not to mention the “stigma” that comes with self-published books. Some people believe self-publishing just means you weren’t good enough for traditional publishing. (Which, I know, is not the case at all. I’ve seen some fabulous self-published books.) There are a lot of people who are reluctant to invest in self-published books.

If you’re still up for the challenges that come with self-publishing, more power to you (and I wish you the best of luck). It requires you to put a lot of your time and effort into it, with very few results. I’m certainly no marketing guru; hell, I can barely keep up with my own personal social media accounts. But if you’re into it, go for it!

What are your thoughts on the self-publishing path?

The Reality of Psychosis

You see, my official diagnosis is severe Type I Bipolar Disorder with Psychosis. That, however, is not the point. The point is that I experience hallucinations and delusions from time to time. Not all the time. Stress can induce them, such as when I’m in a big, crowded, noisy store. (I’m looking at you, Costco.) Work was a huge trigger, back when I was working.

But what exactly is psychosis? Psychosis is defined as “when people lose some contact with reality” according to the NHS. As many as 3 in 100 people will experience psychosis at some point. There are typically warning signs leading up to psychosis, such as trouble thinking clearly, suspiciousness or uneasiness with others, a decline in self-care or personal hygiene, spending more time alone (according to NAMI). Psychosis can include hallucinations (experiencing things that are unreal, such as auditory, visual or tactile experiences) and/or delusions (beliefs in the unreal).

I’ve heard of other people having pleasant psychosis, being one with nature and such. Not me. If I wasn’t seeing shadow people or thinking the neighbors were secretly spying on me, there were bugs crawling all over my skin and in my hair, whispering awful things to me.

When many people think of psychosis (those who have never experienced it, at least), probably think of “crazy people” or people who talk incoherently to themselves. The truth is that it’s not always like that. Yes, those people may have mental illness, but we’re not all like that. We’re not all violent psychopaths out to maim and kill people. We’re not people to be scared of. We’re just humans, plagued by our own minds, trying to get by in this life. The real truth? Those with mental illness are no more violent than their non-mentally ill counterparts. In fact, studies have shown that those with mental illness are more likely to be victims of violence.

I’ve seen the look upon people’s faces when I tell them I experience psychosis. It’s usually one of masked horror and disgust, one that says, “What do I say to her?” I try not to hide my psychosis. If I’m having a hard time, I want people to know why I’m having a hard time. I don’t want to have to hide the fact that I’m having hallucinations.

Fortunately, however, thanks to the fact that I am no longer working, I haven’t experienced psychosis since November. (It’s January as I write this.) I can’t tell you how grateful I am for that. It’s such a relief, not being scared shitless because I’m hearing a voice telling me to injure myself. I can only hope that the stability continues.

Have you ever experienced psychosis? Yes or no, I’d love to hear your thoughts!

The Crutch of Show, Don’t Tell

We hear it all the time: show, don’t tell. It’s repeated over and over and drilled into us as writers. But, I don’t believe in “showing” instead of “telling” in every single instance in your writing. Plenty of blogs give advice on how to show instead of tell, so I’m not going to do that here. Instead, I believe in the importance of both showing and telling in your writing, because if you show all the time, in every sentence of your story, your manuscript will end up ten million words long, and who wants to read a book that’s ten million words long? (Okay, maybe there are some people…)

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Some of the greats included telling/exposition in their work. As I’m currently rereading the Harry Potter series, I’ve been enjoying the explicit amount of exposition in Harry Potter and the Goblet of Fire. But it’s placed so well, so artfully, that you barely notice it. Rowling had three books-worth of information to catch you up on, but she leaves the exposition and telling to the important stuff, like explaining why Harry’s godfather, Sirius Black, isn’t in his life.

Don’t get the wrong idea. I’m not saying you shouldn’t show at all. I’m all for showing. Showing emotionally charged moments can help draw your reader in. There’s a big difference between “Her eyes stung with tears, but she blinked them away and swallowed the lump rising in her throat.” and “She was sad but tried to hide it.”

Description is important… in the right amount.

For example, there’s no need to give every little detail of a character turning on a light switch, unless, of course, that light switch has significant meaning to your story. No need to describe in detail a character getting changed out of their day clothes. You don’t want to overwhelm your readers with description.

Save your highly detailed descriptions for the story-significant parts. Save showing for the emotional moments, the moments that will draw your reader in and leave them feeling raw. If you’re writing in first person POV, really think about the details your character notices as they move about your story and setting. Think about your own POV, in your own life—you wouldn’t notice details about every little motion you make or about every little thing in your setting. If we tried to describe on paper every single thing in a room, we’d have twenty pages of paper filled with insignificant minutiae that nobody cares about.

So, where exactly does “telling” fall in all of this? Think of it as a continuum. On one end is showing, on the other end is telling. Exposition would fall towards the telling end, while a particular moment that is significant to the plot and emotionally charged (and, therefore, full of detail) would fall towards the showing end.

Ultimately, the amount of description you put into your work is your choice. But finding the right balance between showing and exposition—that’s the real challenge.

How Long Has It Been?

It’s been since August 12th that I posted my last blog post. I’ve read that it’s “bad business” on a blog to point out how much time has passed if you’ve taken some sort of hiatus, which is exactly what I’ve done. Let me be honest with you: I lost my job back in July. I was devastated. It was quite abrupt. I went in to work on a Friday and was told at approximately 11:30 a.m. to pack up my stuff, go home, and to not return; they were making “budget cuts.” Not going to lie — I cried. I’ve been working since I was 16 (ah, the good old days, when I had my first job at Pac Sun), and in the last 18 years, I’ve never been let go from a job before, especially one that I put nearly three years into.

Photo by Flora Westbrook from Pexels

That’s when I posted Grammar vs. Syntax, just a couple of weeks after being let go, thinking I would continue blogging. The truth was that I was navigating the emotional woes of being unemployed. But I made it. I decided not to return to work, due to my mental illness. Honestly? Being let go from that job was probably the best thing that could have happened to me. I was having near-constant hallucinations due to the stress of working; I was constantly sick with my bipolar. I was having tactile and auditory hallucinations, thinking bugs were crawling all over me and in my hair, whispering horrible, evil things to me.

All throughout August, I was attempting to pick up the pieces of my life and recover from being so damn unhealthy. I’m healthier than ever now and have had my longest period of stability in quite some time. I haven’t had ECT (shock therapy) since March. I’m managing better sleep, choosing healthier habits such as eating better, and enjoying time with my husband, my parents, my sister, my nephews. I never could have managed that while working.

I also want to mention that my dog (who is an old man at 13, has had diabetes since he was 3, has cataracts from his diabetes, and has arthritis) began having seizures just before Thanksgiving. I rushed him to an emergency veterinarian, who said he mostly likely either had a stroke or has a brain tumor. Wilson, my dog, gets anti-seizure meds four times a day now, and I never would have been able to manage that if I had been working.

Which brings me back to this blog. I’m finally ready to return to managing The Lithium Writer. I’ve got some blog posts planned already and some ideas I’d like to try out. I’m pretty excited, in case you couldn’t tell!

So, in a way, I’m apologizing for my absence if you follow this blog. I know it’s been some time, but I had my reasons (mainly my health), and I hope you enjoy the upcoming posts in the next few weeks!

Grammar vs. Syntax

As a writer (or even if you’re just an English nerd), you’ve probably heard the terms grammar and syntax thrown about. But what are they, exactly? Ultimately, grammar is a defined set of rules for how a sentence should be structured. Subject verb object. (Unless, of course, you’re Yoda: Object, subject verb.) But what about syntax? Essentially, syntax is one of the building blocks of grammar, relating to the way a sentence can or should be structured. Both are quite intertwined. So, then, what’s the difference if both relate to the structure of a sentence?

The truth is that there is more to grammar than just, well, grammar and syntax. Think of grammar as the umbrella for the parts that make it up, which include morphology, phonology, semantics and syntax.

Morphology is the building blocks of words, made up of morphemes. Morphemes can be part of a word, such as the -ing in a gerund. To give an example: walking is made up of walk and -ing. These would be considered the morphemes that make up walking.

Phonology is the sound of words.

Semantics is made up of the meaning of words and their relationships to each other.

Syntax is the structure of words in a sentence. This is made up of parts of a sentence, including independent and dependent clauses, the parts of a sentence (including subject, predicate, object, direct object), clauses (a group of words including a subject and a verb), and sentence structure (simple, compound, complex-compound clauses).

These four building blocks are the essentials that make up grammar. Ultimately, grammar is a defined set of rules we follow to create a sentence, while syntax governs the way we structure that sentence to create a clear, concise thought. Think of grammar as the rule book and syntax as your allowance for the freedom of clarification. Syntax is your ability to construct a beautifully crafted sentence (while still adhering to the rules of grammar: agreeing subject-verb pairs, object placement, etc.) by utilizing compound and complex-compound clauses.

To give you an example:

Grammar: John (subject) eats (verb) apples (direct object).

Syntax: Although John eats apples, his favorite fruit is strawberries.

We can break down the syntax example into two separate clauses: the subordinate clause and the main clause. Subordinate: “Although John eats apples,” and main: “his favorite fruit is strawberries.”

While we can think of syntax as giving us the freedom to construct sentences, there are still guidelines we must follow, such as parallel structure. For example:

Incorrect: I enjoy writing, editing, and to read.

Correct: I enjoy writing, editing, and reading.

Syntax also dictates what is considered a complete “thought,” whereas grammar only dictates the form of a sentence (meaning the subject-verb-object structure) and things such as object-verb agreement.

Language is a complex, funny, and intricate thing. As I was writing this, I said to my dad, “How do you break down and explain something that is so intrinsic and inherent? That’s what I love about the English language.” (Pretty sure he was looking at golf-related stuff on his computer while he listened to me ramble, so I don’t think he was paying attention.) What are your thoughts on the building blocks of grammar?

Which Publishing Path Should You Take?

So, you’ve written a novel. It’s been cleaned up, scrubbed until its skin is raw, edited, and polished until it gleams. There’s not a single ounce of typos in your manuscript, and the plot has been torn apart and rebuilt until every plot point, every plot device, is perfect. You’re ready to move on to the next step: publishing. You swallow hard at the very thought of putting your work out there, but it’s what you want to do. It’s what you need to do with this manuscript. But you’re not quite sure what your next step is.

Well, there are three paths you can take (and a fourth that you should be very wary of). They are: Traditional Publishing, Indie Publishing, and Self-Publishing. The one you want to watch out for? Vanity publishers. They’ll charge you for the rights to publish your book while making all these big claims and blowing smoke about what they can do with your book, like getting it turned into a film and whatnot. Watch out for these scammers!

Traditional Publishing
This is the route most people immediately think of when they think of getting published. Typically, one of the “Big 5” publishing companies (Random House, Hachette Book Group, Harper Collins, Simon and Schuster, and Macmillan) agree that your book is worth their time and effort—not to mention they think it will be profitable. They do all the work for you, including cover design, editing, marketing, etc. However, they don’t typically take unsolicited manuscripts; you generally need to have a literary agent in order to be considered. If you’re considering the traditional route, your first step is to put together a query letter, have a damn good synopsis/hook of your manuscript, and start querying agents in your genre. If an agent is interested in your work, they’ll request the entire manuscript. If they think your manuscript is worth something, they’ll agree to represent you, and they’ll negotiate a contract with a traditional publishing house for you.

Indie Publishing
This route in the publishing world deals with small-time publishing companies, otherwise known as “independent” publishers. In many cases, they will take unsolicited manuscripts. If you decide to go this route, this is when you may get tangled up with vanity publishers, as previously mentioned. This is when you need to tread carefully, and make sure the publishing house isn’t trying to take advantage of you while blowing smoke up your ass with huge claims of selling millions of copies of your book. A true, honest publishing house won’t charge you to publish your book.

Self-Publishing
Self-publishing is the path I took with The Days Without You. It took some cash out of my own pocket, but I had total control over every aspect of my book. Very few are seriously successful when taking the self-publishing path, as it takes a lot of hard work when it comes to marketing and getting your book seen. It takes a lot of know-how in regards to what makes a good, industry-quality book. Many authors attempt to perform the interior design themselves with pre-made templates, or they try to design the cover on their own without any knowledge of graphic design in order to save themselves some cash. While not impossible, it’s a difficult task to make it look professional, especially if you don’t know what you’re doing. Self-publishing tends to get a bad reputation because so many authors don’t take the time to ensure their book is of professional quality.

No single path is right or wrong. (Except for vanity publishers. Those scammers can go screw themselves.) The course you choose just depends on a few factors, including how much time and effort you plan on putting into the actual publishing. Keep in mind that there’s also a lot of stigma surrounding self-publishing, as many folks consider it the “rejected” or “unwanted” path—a path only for books that weren’t good enough to be accepted by a major publishing house.

What are your plans for publication?

Best Writing Resources

There are a ton of writing resources out there, and it can be difficult to know which ones are actually useful for your writing. The truth is? Many of them can be useful, depending on what your needs are as a writer. That is, whether you need help with things such as plotting, characterization, description, prose… The list goes on. A lot of blogs on writing exist (including this one!), but how do you know which resources are good? Well, I’ve put together a list of my favorite writing resources that have helped me.

(Note: None of these are affiliate links, nor do I make any money when you make a purchase or click a link. These are simply resources I have found useful in my writing journey.)

Best Website for Novelists

HelpingWritersBecomeAuthors.com

This site, run by author K.M. Weiland, has a plethora of great resources in and of itself. She outlines how to plot a novel through the Three-Act Structure, and a recent addition to the site is a long list of character archetypes and how to write them. She has several books out for plotting your novel and creating character arcs, as well as a new program to help you plot out your novel.

Best Book for Perfecting Style and Prose

Dreyer is the copy chief of Random House, one of the “Big Five” publishing houses. He gives his thoughts on common writing mistakes that he sees constantly in manuscripts and mentions how to fix them, such as superfluous or redundant words. This book is both witty and instructive, with a solid dose of humor. Definitely a great read if you plan on submitting to agents.

Best Book(s) for Characterization/Description

Puglisi and Ackerman have a series of thesaurus-type books, including one on negative traits and emotional wounds. These books are great for building characters and crafting more detailed descriptions, rather than just saying, “She was angry.”

Best Necessity for Those Looking to Publish

The CMS, or Chicago Manual of Style, is the standard style guide for the publishing industry in the U.S. It’s a great reference tool when you’re not sure whether or not to use that comma or whether or not you need spaces around your em dash. If you want to publish, traditionally or not, I believe every writer needs this in their library.

Best Program for Novelists

Out of all the writing software and programs I’ve tried to use over the years, from Novlr to Dabble, Scrivener remains my favorite. It is a mountain of features and customization, whether you want to simply change the theme or move around that one particular scene that doesn’t go. It has templates and more for you to get your novel started. I’ve been using Scrivener for years, and it’s a program I can always count on.

And that’s it for my favorite resources! What are some of your favorite writing resources that have helped you in your writing journey?

Self-Care while Writing

Self-care is important on a personal level. Everyone needs different types of self-care, including writers. But when you hear the word, do you think bubble baths, face masks, a glass of wine and a soppy movie? Sure, that can be it if that’s what you need. But self-care is so much more than pampering yourself, especially if you have a mental illness — anxiety, depression, schizophrenia, bipolar disorder, etc. Self-care is learning coping mechanisms. Self-care not cancelling your next therapy appointment because you had an episode with hallucinations again and you’re ashamed of it. Self-care is forcing yourself to get up and shower when you’re too depressed to do anything.

Ultimately, self-care is so much more than what most people think. With May being Mental Health Awareness Month, it’s something I wanted to talk about, because mental health and self-care are for everyone. Everyone has mental health. And, as a writer living with severe mental illness, I find it’s important to take care of yourself during the writing process, especially if you’re writing a novel. They can take months, even years, to finish. And I find they can be quite consuming (especially when I’m manic and writing over 5,000 words in a day for several days in a row).

Even when I’m not manic, I find that when I slog over a manuscript for days on end without doing anything else other than sleep, I start to lose focus and clarity. But over the years, as I’ve learned to refine my writing process, I’ve also learned to care for myself and my mental health so I can continue to knock out word after word, sentence after sentence. Here are a few tips to help you do the same if you find you need to care for yourself:

  1. Learn to step away from your manuscript if you feel drained.
    Hyperfocusing on your manuscript will only burn you out and drain you of your creativity. You might end up getting stuck with writer’s block, feeling nothing but frustration. Step away for a few days to help you clear your head. Sometimes, when you narrow in on one thing (practically obsessing over it), frustration and depression can quickly take over.
  2. Make sure to take small breaks to eat, rest, take care of other chores, etc.
    Sometimes, we get so “in the groove” that we forget about what’s going on around us. Whether it’s to eat a meal or snack, to walk the dog, or to simply clean up your home a bit, be sure to get up and move around if you’ve been working on your manuscript for hours at a time.
  3. Don’t forget about other hobbies.
    Having other hobbies is another way to help you step away from your work, as well as help you destress when you’re frustrated with your own writing. Whether you’re into knitting, doodling in a planner, or any other pastime, enjoying a hobby for a few hours per week has actually been said to reduce the risk of depression.
  4. Take a walk.
    And not in a “Get outta my sight!” kind of way. Exercise is great for reducing stress and clearing your head, even if it’s a quick 10-minute walk. You can even do a short, 7-minute workout routine according to WebMD.
  5. Focus on the positive.
    Feeling down about your work, like you’re no good at it or your manuscript is a pile of garbage? Stop and find the good things. Find a passage that you feel is written well and read it a few times, or find other parts of your work that you enjoy. Recharge your outlook to a more positive view, and don’t be so hard on yourself.

Remember that everyone is different, and everyone has different needs for their mental well-being. These are simply things I’ve learned over the years as a writer. Do what you need in order to take care of yourself, and don’t forget: Mental health matters.

When Enough Is Enough for Your Novel

At what point is your novel is done? Completed? Finished? How many revisions and edits are enough? Basically, when is enough, enough?

I recently reread my own self-pubbed novel, The Days Without You, and damnit if I didn’t find another error—a missing word. Even though it was a teeny, tiny preposition that my eyes almost glossed right over, all I could think was, “Well, damn.” Fortunately, I didn’t find any others. But there are still things I consider changing. Long to change. It’s not that I didn’t pour over revisions and edits, round after round, to make my manuscript perfect. I put my heart and soul into revisions, trying to make every scene perfect and meaningful, adding something to the story, taking parts out. I never truly felt like my story was complete. Grueling, it was. But it does beg the question: How do you know when you’re done with revisions?

There are writers out there who will revise a novel for years. I, myself, spent years on The Days Without You. Let me just tell you this: You’ll probably never be fully satisfied with your manuscript, especially if you’re looking into self-publishing. At some point, you have to put it down for good and tell yourself it’s finished, even if you’re concerned about one thing or another. And let me tell you something else: That it’s perfectly fine. That was a hard lesson for me to learn. Perfection is an unattainable goal. Let me tell you something else: You thought that at some point you’d reach that ultimate dream that is a manuscript without needing a single change? You were wrong. A comma here, a semicolon there. You might think, “Maybe I should have changed this or that.”

Like previously mentioned, you need to make the decision to stop making those minute edits and changes. Here are some questions to ask yourself when it comes to making edits or revisions to your story:

Is this edit/revision adding anything to my story’s characterization, plot, etc.?
If the changes you are making alter the manuscript’s plot, characters, character goals, or other major pieces of your story (especially in a major way), you’re probably not done yet with revisions. Work through your characterization, any plot holes or any parts that drag or don’t add anything to the overall story.

Am I looking at my manuscript with fresh eyes?
I believe it’s important to put a manuscript to the side, leaving it untouched, for some time. Whether that’s just a week or several months for you, it’s crucial to be fresh and new again when rereading a story. You’ll be better prepared to find the parts of your novel that need revising or—as much as we hate to admit it sometimes—major rewrites or removal, in some cases. Once you’ve written the first draft, take time to work on other things or hobbies and set your manuscript aside for some time.

Am I simply tinkering or fiddling with my manuscript?
If you’re at the point when you find that you’re only making tiny changes or alterations, it’s probably time to say, “I’m DONE, mother{insert callous, crude, derogatory word that I won’t put here}!” and start looking for professional editors or proofreaders if you’re going the self-pub route, or start researching agents if you’re going the traditional route.

The time comes when you’re not making your book better; you’re only making it different. Still doubting yourself? Find some beta readers and get feedback.

Art is never finished, only abandoned.

Leonardo da Vinci

Why Write?

This is a bit of a rambling post, so fair warning. When I was early in my writing career, back in my teenager days when I was writing bad Harry Potter fan fiction with my best friend at the time, I barely knew a thing about the craft of writing. (And no, I’m not knocking those who write fan fiction. There are some incredible fan fiction writers out there who even garner the attention of publishers. I was simply not-so-good when I was writing it.) But, I wrote because I loved to write and because it gave me joy. If you’re going to write, do it because you love the craft, because you love to learn and grow as a writer. I believe that as we grow, we become much more critical of our work as we realize the mistakes we’re making.

However, I had several years that I lost my love of writing. My college/late teen/early twenties era when I was quite sick due to my illness, and I even had to drop out of college after my junior year. I was so focused on recovery that I forgot about writing. Around my mid-twenties, I rediscovered my passion for the craft and really began to write my own original work. I wrote passionately and non-stop. I wrote about things I loved, topics that were dear to me. I managed to finish my first manuscript, but it sits in the archives now. That’s when I decided to read everything I could about the craft of writing. I learned quite a bit on structuring plot, creating characters, writing dialogue, and so much more. I wrote a second manuscript, which has grown to be what is now The Days Without You. After that was when I decided to go back to school for my degree.

I’ve learned a lot since those bad fan fiction days, but I look back on those days with fondness. Mind you, I’m about to turn 34 this month, so I’ve got some years under my belt. (I’m—partly—kidding. There are days I feel old when I make jokes about older movies and have to explain my jokes to those who are younger than I. Or, maybe I’m just bad at jokes.) I learned a lot while studying the craft of writing, earning my degree in English and Creative Writing with a concentration in fiction. I even discovered my favorite short story, thanks to one of my professor’s assignments, “The Yellow Wallpaper” by Charlotte Perkins Gilman.

I suppose what I’m trying to say is that you should write if you love it, no matter what skill level you’re at. I believe anyone can learn to write, especially those who are truly passionate about it. Those who find pleasure in the unique structure of a sentence. Those who enjoy a book for its world building or a movie for its rigid plot structure and strong character motivations. I recently read a cute little piece of advice on Instagram that if you don’t find joy in writing for others, write for yourself.

Write because you love to write. Because you love the way words fit together. The way different punctuation can give different meanings to a sentence. Just write.