The Inciting Event

Every event, every plot point in a story should matter, and that especially goes for the Inciting Event. Sure, maybe it’s not the most significant plot point or even the most noticeable, but it’s still important in your overall story structure, which is why I want to talk about it today.

What exactly is the Inciting Event? Basically, it’s the very first plot point that sets your story in motion. It could even seem incredibly insignificant in the lives of your characters, but it’s what tips over that first domino in a long line of dominoes. Essentially, it should change your character’s life forever, no matter how small or big your Inciting Event is. You’ll hear some writing advice say that the Inciting Event needs to be huge and dramatic to change your character’s life forever; I don’t believe this is true. The Inciting Event can be one small notch in your character’s life, but it should be one that they can’t come back from.

Now, the Inciting Event can even happen before the story begins. In The Days Without You, the story opens with Kylie dreading a concert she agreed to attend with her best friend, and there, she meets Adam by mishap. While this is the beginning of the story, the inciting event would technically be Kylie agreeing to attend the concert with Cat, even though this happens before the start of the story. And, your character/s may not even realize that their lives have been ultimately altered! It’s important to remember that the Inciting Event doesn’t have to be realized by your protagonist.

In many cases, however, the Inciting Event happens within the realm of the story. Bear in mind, too, that it may not be the very first thing to happen in your story. in The Hunger Games by Suzanne Collins, we have character building and world building before the Inciting Event happens. Similar goes for Harry Potter and the Philosopher’s/Sorcerer’s Stone. Before the Inciting Event happens, we learn all about what horrible people the Dursleys are, not to mention we also see Dumbledore leaving Harry at the Dursley’s doorstep after being rescued from the wreckage of his home.

Some examples of the Inciting Event:

  1. The Hunger Games by Suzanne Collins
    In the Hunger Games, we learn all about the dark, evil “game” called The Hunger Games, in which one teenage boy and one teenage girl from each District is selected to compete in a battle to the death, and the winner shall be bathed in riches. Katniss, who is our narrator and protagonist, is devastated when her younger sister, Prim, is selected as the next tribute. In desperation to save her sister, Katniss volunteers as tribute to take Prim’s place. This act of volunteering for her sister is the Inciting Event, as it changes Katniss’ life forever. She can no longer go back to her old life; she must now compete in The Hunger Games, fighting for her life.
  2. Harry Potter and the Philosopher’s/Sorcerer’s Stone by J.K. Rowling
    As previously mentioned, there’s a ton of backstory in this novel before we get to the Inciting Event: when Hagrid, a half-giant who barges in upon the Dursleys and Harry in their off-shore hut, tells Harry, “Yer a wizard, Harry.” (Can we all agree that this is a classic line of dialogue?) We identify this as the Inciting Event because it changes Harry’s life forever. Why isn’t the event of the never-ending letters the Inciting Event? Because Harry could have chosen to ignore them, or the Dursleys could have kept them hidden from Harry, thus not setting into effect the dominoes to Harry’s learning that he’s a wizard.
  3. The Giver by Lois Lowry
    Can I just say this is one of my favorite books, and has been since I was in, like, fourth grade and I’ve read it a bajillion times? Favoritism aside, we open the story upon Jonas, a 12-year-old boy who lives in a futuristic community that seems like a utopia, but really is a dystopia where babies are “Released to Elsewhere” if they don’t weigh enough. He’s nervous about his career assignment, which he is to receive at the Ceremony of Twelves, because he’s worried he doesn’t fit in anywhere. The Ceremony itself is our Inciting Event, because Jonas learns he has been selected as the next Receiver of Memory, in which the Giver passes down memories of the past world so he can advise the community when it needs to make decisions.

So what should your Inciting Event be? Technically, it can be anything! But, it should make sense with your First Plot Point. That is to say, the Inciting Event should be the first domino that knocks over another, then another, and another, leading to the First Plot Point. In my work-in-progress, The Sound of Snap Dragons, the Inciting Event is that Kylie gets hired as an investigative journalist at The New York Star, a major newspaper in her city, leading her to be assigned a story about a serial killer.

I’d love to hear what the Inciting Event is in your manuscript or published books! Tell me, what are your thoughts on this important plot point?

Finding Your Voice as a Writer

Voice. Find your voice as a writer, they say. What exactly does that mean? You may be struggling to find your own unique voice as a writer and author, trying to find what makes your work different, what makes it stand out. Voice, essentially, is the unique mixture of vocabulary, syntax, tone, and point of view that makes you as a writer. The way you write your story, a way only you can tell your story, should make your readers feel something. It’s almost manipulative, in a way, how we control our readers’ emotions, isn’t it?

Photo by gryffyn m from Pexels

I don’t believe that finding your own unique voice as a writer is an easy thing to do. Many times, in the early days of writing, we try to imitate our favorite authors and writers in an attempt to find who we are as writers. Is there anything wrong with that? Absolutely not. There is, of course, a difference between an author’s voice and character voice. Character voice is something a skilled author can imbibe upon any given character in a story, utilizing a unique tone and choice of vocabulary for said character. You may see more of a character’s voice in a story that’s written in first person, but this can be character’s voice. For example, The Giver (written by the great Lois Lowry) is written from the Jonas’ point of view, a twelve-year-old boy who’s about to receive his assignment in his community, and he’s anxious because he doesn’t really know where he fits in. In the first few pages of the novel, he’s deciding how he wants to describe how he feels at dinner discussion with his family unit. (He decides on apprehensive.) The narration is voiced through Jonas. Every word is carefully written from the point of view of Jonas.

However, one could say that this narration in The Giver is unique to Lowry, making it her voice as a writer. The vocabulary, tone, and point-of-view are unique to Lowry’s style. One definitely wouldn’t confuse it with, say, Ernest Hemingway or Emily Brontë.

Here are a few tips and exercises you can try for finding your voice as a writer:

  1. Be consistent.
    No matter what sort of style you use, what vocabulary or dialect you choose for your story, or even how flowery your description is, be sure to be consistent. If you like long, lengthy descriptions, try to stick to long, lengthy descriptions in your story. The one facet you may decide to vary on is POV. However, I wouldn’t change POV within the same story — that is, if you use first person, stick to first person in the same novel. What I mean is you may decide to use first person in one novel, and third person in another story. Switching between POV types within the same novel may be confusing for readers.
  2. Formal or colloquial?
    Decide whether you want to be formal or informal in your voice. Do you include swearing/cursing in your stories? Big, complex words? Or do you prefer more informal vocabulary and vernacular?
  3. Do you want your stories driven by description or dialogue?
    Some writers like lengthy passages of flowy description, while others prefer their stories to be driven forward more so by dialogue.
  4. Describe your voice (or what you want it to be) in five words.
    This can be a great exercise in figuring out who you want to be as a writer. Really think about what five words you would use to describe your style and voice.
  5. Ask your friends, family, fellow writers or critique partners to describe your voice in five words.
    Same concept as describing yourself, but you’re asking others to describe your writing. You may be truly surprised at the feedback you get.
  6. Analyze your favorite voices in writing.
    Make a list of a few of your favorite author voices and write down what you love most about them. Is it their description? Their dialogue? Their syntax? Their POV? Take what you discover and try to apply it to your own writing, or simply play around with a few scenes in that particular voice you’re trying to imitate.

No matter how you find your voice as a writer, try to be consistent, as it is a way readers can recognize you. However, bear in mind that it can take a lifetime to develop your true voice, so don’t fret if you don’t feel like you’ve quite gotten the hang of it. We’re all on this writing journey, trying to figure ourselves and our stories out.

Writing a Novel: The First Steps

Maybe the thought of writing an entire novel is daunting for you. Maybe you want to write one but don’t have an idea. Or perhaps you have an idea but don’t know where to start. Either way, I know how it is. When I wrote my first book that wasn’t garbage, I didn’t really know where to start. The first first book, the one that was garbage, I wrote by the seat of my pants the entire way, with no planning, no forethought, no nothing. It ended up with no real structured plot, no real goals, no motivations. That’s why I believe in the power of at least a little planning and plotting beforehand, even if you consider yourself a pantser. Just a little forethought can really go a long way in the quality of your novel.

Photo by Karina Curci from Pexels

That doesn’t necessarily mean you have to plot out every little detail of your novel, especially if you enjoy writing by the seat of your pants and seeing where the story and its characters take you. There’s nothing wrong with that. But knowing what your characters’ wants and goals are before you start writing can help you get to your ending a little more quickly — not to mention a little more neatly. Don’t get me wrong, I’m a fan of explorative writing, but that’s mostly to learn about my characters and who they are — not as a way to write a novel.

But there is something to be said about writing by the seat of your pants. No matter what gets you writing, be sure to write. You can’t edit a blank page. So whatever gets your fingers to that keyboard (or pen to paper), go for it.

Below are just a few of my own tips that I’ve learned over the years in my writing journey on how to start your novel.

  1. Start with a spark of an idea.
    It can be even a tiny glimpse of a scene, of a character, of a problem. I say spark of an idea, because it doesn’t have to be an entire idea for a novel. It can be just a tiny piece of the puzzle, and that’s what you’ll build your novel around. Prompts can be useful if you’re stuck for sparks, and you can find a ton of prompts on various writing websites.
  2. From that spark, figure out a loose plot.
    This is where character goals and motivations come in handy. By knowing what your character wants, you can throw obstacles in their way to keep them from reaching that ultimate goal. What will happen if your protagonist fails to reach their goal? What do they stand to lose? Essentially, that’s all plot is: the events that happen in a story that keep your character from gaining what they want. Granted, a novel is typically more ornate and intricate than just a bunch of plot points. But learning plot structure can help you mold your story, such as the Three-Act Structure (K.M. Weiland of Helping Writers Become Authors has a great series on this). By learning plot structure, you can predetermine where the major plot points of your story will go, and this can help you determine what plot points need to happen in your story. There’s a reason pre-determined plot structures, like the Three-Act Structure, are so popular; it’s the natural points, the inherent ebb and flow, in a story when audiences expect something major to happen.
  3. Get to writing! (And don’t worry about being perfect.)
    Whether you’re prone to plotting or pantsing, you should have at least an idea of what your characters want, what their goals are, and a loose plot structure. Like I quoted before, you can’t edit a blank page. Don’t worry about finding that perfect word or perfect phrase during your first draft. You can edit that later. Just write.
  4. Edit, rewrite, and rewrite.
    If there’s one big mistake I made on that first “novel”, it’s that I didn’t take the time to edit it. I didn’t go through it to make sure it adhered to proper plot structure of some sort; the characters had vague motivations and goals. In other words? It was a hot mess. Make sure you reread your story, check it for cohesiveness, for good flow. Find beta readers and get feedback. Be a nitpick, but remember that you can’t edit forever.

These are just some beginning steps to writing a novel. I want to be clear that it can be much more detailed and involved than just stringing some words together. Carefully think out your novel. Think of how you could sum up your novel and what it conveys in just a sentence or two.

As a reminder, I’m looking for writers, authors, and bloggers to interview on my new podcast (available on Spotify and Apple Podcasts!), so if you’re interested in being featured, email me at lithiumskylar@yahoo.com or comment on any post on my blog! I’m also now on Twitter and looking for mutual follows, so follow me @SkylarWwrites.

New Podcast Episode!

Quick post here just to announce that a new episode of The Lithium Writer podcast is up! It’s currently available on Apple Podcasts and Spotify. Episode Two is all about my life with bipolar disorder. (But, I promise, I keep it quick in a ten-minute show!) I truly hope you’ll check it out.

Again, I’m looking for authors, writers, and bloggers to interview on my podcast, so if you’re interested in being featured, feel free to email me at lithiumskylar@yahoo.com, or comment on any of my posts and I’ll reach out to you.

Enjoying the Craft

I thoroughly believe you should enjoy your writing (or any craft that suits your fancy). Just like those who enjoy mathematics. Personally, I hate math. Gets too complicated for me, and I end up frustrated and feeling stupid. Now, show me a study guide for Latin, and I’m all over it. Foreign language classes were my favorite classes in school, and I took every language my high school offered: Latin, Spanish, and French. Do I remember anything other than “Quelle heure est-il? Il est huit heure et un”? Nope, I can barely speak a lick of French, but I enjoyed learning about the grammatical rules of the language. Latin was probably my favorite language to study, as we didn’t study it conversationally but rather learned about the grammatical building blocks that made up the dead language. That has helped me a great deal in my own writing. (Not to mention we also studied ancient Roman culture, and that is a fascinating subject.) Spanish has been most useful, and I still remember enough that I can read and write some Spanish.

Photo by Lisa Fotios from Pexels

I suppose what I’m getting at is that you should enjoy what you do. Not necessarily your work—sometimes you have to do what’s necessary in order to get by. But your hobbies? I’ve tried a lot of hobbies that I thought I enjoyed, and even dropped some money on—yoga, crochet, video games…the list goes on. The one hobby I’ve maintained over the years? Writing.

Writing isn’t a craft that can be forced, I feel. Don’t get me wrong—there are times I hate my own writing, and I get so exquisitely frustrated with it and want to hurl my laptop out the window. But for the most part, I love it. I love rereading some of my older works and critiquing what I could have written better.

I suppose what I’m trying to say is that you should love your work. Yes, you should want to grow as a writer and improve over time, but you should also love what you write, even if you dislike certain aspects of your writing. In fact, disliking certain aspects of your writing is even a good thing — it means you recognize your weaknesses and areas where you can learn and grow. But if you don’t love your work, what reasons are there to want to make it the best that it can be?

If you enjoy the craft of writing, you’ll actually want to make time to sit down and write. That’s why I believe writing cannot be forced. Write because it’s a way to express yourself. Write because you have a story to tell. Write because there are worlds you want to visit, people you want to meet, experiences you want to explore. Write because you have something you want to say, and the only way to express every single emotion inside of you is through words.

Write because you love it. Write because you love the craft, because you love the beautiful structure of a sentence, because only words can come close to expressing what’s inside of you.

New Podcast!

I’m excited to announce that The Lithium Writer is now a podcast! You can currently listen on Buzzsprout or Spotify. Episode 1 is currently up and available for download and streaming.

The Lithium Writer Podcast, cover art by guavanaboy on Fiverr

This is a huge step for me, as I’ve been wanting to start a podcast for some time, and I’m thrilled to announce its arrival. I hope you’ll stay tuned for the upcoming weekly episodes and bear with me while I figure out the technical setup.

I’m also looking to interview authors and fellow bloggers, so if you’re interested in joining me on my podcast, email me at lithiumskylar@yahoo.com. Or, if you have any topics regarding the craft of writing or mental health that you’d like me to talk about, email me or comment on this post!

UPDATE: You can now find it on Apple Podcasts!

Writing Realistic Friendships

I wanted to talk today specifically about friendships — not romantic relationships. Like any relationship, a friendship has dynamics to it. It is a many layered thing, ever evolving, ever changing. There are ups and downs, good times and bad. Most real friendships are not shallow. It’s about give and take, a two-way street.

Look at your own friendships in life. You probably share the good and the ugly with them, and they support you through it all. But you give back in return, supporting them through good and bad times, through the ups and downs. My best friends had a small trophy made for me on the anniversary of my first suicide attempt, and it reads “For Making Bipolar Her Bitch”, followed by a quote from Carrie Fisher.

You also probably share a lot of the same views, whether socio-economic or political, but that doesn’t necessarily mean your characters have to share the same views on everything. In fact, varying views on different issues can create conflict in your story. For example, in Harry Potter and The Goblet of Fire, Harry’s best friend, Ron, believed Harry put his name in the Goblet of Fire for the TriWizard Tournament, even though it wasn’t true, leading to the two best friends not to talk to each other for some time.

So, here are some tips for writing realistic friendships:

  1. They need something in common.
    Whether it’s a common interest, a shared trait, or a common belief, your characters should have something that draws them together. Ron and Harry both love quidditch, hate doing homework, and both are Gryffindors. There should be at least one thing, one rallying point for your friends to agree upon.
  2. It can’t always be happy-go-lucky and stars and rainbows.
    People fight, and while it’s not a fun thing, it can be a natural part of relationships. People don’t always get along 24/7 with loving stars in their eyes. In my novel, The Days Without You, Cat tries to force Kylie to cheer up after the loss of her mother, and when Cat learns that Kylie is throwing away her relationship with Adam, she walks out of Kylie’s life, telling her, “I’m done trying to make you open your eyes. Call me when you do.”
  3. Make sure you’ve fleshed out your protagonist’s bestie.
    While you’ve probably done extensive research for your story’s protagonist, it’s important to also build up your protagonist’s best friend into a real person — someone your readers will care for or relate to in some way. The best friend shouldn’t be just a best friend; they shouldn’t serve the sole purpose of being the best friend. They should have their own wants and goals, their own faults and flaws. In essence, they should be a well-rounded person.
  4. Give them backstory (if their friendship started before the beginning of your novel).
    In The Days Without You, we learn that Kylie and Cat have been friends since kindergarten, from the first day of school when Cat asked her to play with her at recess. But they’ve had their ups and downs, such as the time when Kylie lost her father in tenth grade, grew depressed, and stopped talking to Cat for a few months while she learned to accept her loss.
  5. Give them meaningful differences.
    While, yes, they should have some things in common, your best friends shouldn’t be the exact same person. Everyone has their differences, and this can be a source of conflict for your story. Where Harry can be firm and — frankly — sassy (“There’s no need to call me sir, professor” remains one of the greatest examples of Harry’s sassiness), Ron can be more timid and laid back.

What are your thoughts on best friends in books or film? There are always great examples out there of best friends! Han Solo and Chewbacca, Frodo and Sam, Harry, Ron and Hermione. What are your favorite friendships in literature and film, and for what reasons?

An Ode to Wilson

My house is awfully quiet now. There’s no little nose nudging my leg as I sit on the sofa, wanting to join me. There’s no little creature pacing the kitchen floor when it’s time to eat. I don’t ear the click click click of toenails on the vinyl floor.

This past weekend, I had to put down my dog, Wilson, of thirteen years. He’d been having seizures since November, and he suddenly took a turn for the worse last week. I knew it was time, and I knew he was suffering. But I was still devastated. I cried and bawled until my throat was sore. I’d never had to put down a pet before.

Yes, Wilson was a good dog in some respects, but overall he could be naughty. Before he developed cataracts and went deaf, he liked to steal dirty socks out of the laundry basket. One time, he stole my sister’s underwear while she was visiting and hid them under the spare bed for six months. As a puppy, he ate colored pencils and chewed a hole in the drywall. He liked to chase squirrels and picked fights with pit bulls. (Wilson was a West Highland White Terrier, and around 20 lbs.) He liked to take naps with me, and he enjoyed going for rides in the car and being wrapped up in a hot blanket straight out of the dryer.

Wilson helped me through a lot of tough times. He knew when I was feeling bad and would try to comfort me with snuggles or kisses.

It’s only been a couple of days, but as I write this, I don’t want to go home. I don’t want to go home to an empty house, with no furry little thing to greet me, wagging his tail because he’s happy to see me. I miss his snoring when he was curled up in his kennel. I miss our naps together. I miss when he would raise his front paw for belly rubs. I miss how he instinctively knew when I was on FaceTime and would want attention, right then and there.

If Wilson taught me anything, it was that my heart is capable of infinite love. I loved him more than anything in the world, and he has definitely left an imprint on my heart. I know he’s in puppy heaven, chasing squirrels and picking fights, getting zoomies and running free.

To Wilson: I miss you, and I love you forever.

Writing Software: A Review

There are a lot of writing programs available for use, and it can be overwhelming to figure out which one will work best for you and your writing habits. From cloud-based programs to your basic word processors, which one do you choose? Are you one for frills? Or do you prefer your basic blank page?

Photo by Kasia Palitava from Pexels

Whatever your preferences are, there’s a program out there for everyone. I’ve tried several of them, and here are my thoughts on a few of them.

  1. Scrivener
    My favorite writing application to date, and it remains one of the most popular writing programs out there today. While I’ve attempted to use other programs, I continually drift back to Scrivener. It has settings and features to organize my research and notes, organize my chapters and scenes, and even has functions to export to PDF, .docx, .epub, .mobi, and more. It offers templates to start you out, with editable inputs for when you export the file. The downfall to all these features? There’s definitely a learning curve to it all. On the upside, it’s a one-time purchase of $49; no recurring subscription fee required.

    You can purchase Scrivener at LiteratureandLatte.com.
  2. Dabble
    Dabble is a cloud-based writing program that aims to be like Scrivener, but fails to do so. I found it clunky to use, hard to organize your notes and research, and overall lacking. The only upside was that I could seamlessly move from my tablet to my phone to my laptop, picking up right where I left off. There’s also a regular subscription fee involved with Dabble, although it is fairly low, but again — recurring.

    You can find out more about Dabble at DabbleWriter.com.
  3. Novlr
    Similar to Dabble, Novlr is a cloud-based, online writing program. It offers a cleaner look than Dabble, and is aimed at increasing focus so you can get those words out. There are Day, Evening, and Night modes, with varying color schemes to reflect the time of day. Overall, however, there aren’t many features, but that can offer a more distraction-free environment for those who are prone to wandering minds. Novlr offers two recurring pay plans: monthly and yearly.

    You can find Novlr at Novlr.org.
  4. Outlining Your Novel by K.M. Weiland
    I feel like the premise of this software from Weiland was tight and streamlined, and when I learned that Weiland was putting out this program, I was excited. She has a great series on outlining your novel and the three-act structure. If you like lots of questions and in-depth, thought-provoking prompts to really build your novel, this program is for you. Personally, I found it a tad overwhelming with so many questions, leading me to be let down by the program itself. It has a one-time fee of $40 USD.

    You can find Outlining Your Novel at HelpingWritersBecomeAuthors.com.
  5. Google Docs
    I’ve used Google Docs a lot in previous employment, and it’s quite fluent in seamless transitions between users. As an internet/cloud-based software, you’ll need an internet connection to access your work. (Although, I think Google Docs has a “work offline” mode? If it does, it’s not one I’ve used.) Users can leave comments, which is great for getting feedback from beta readers or editors. And if your computer ever crashes, you can rest assured your work isn’t lost. Overall, Google Docs is a seamless, clean, easy-to-use word processor.

    You can find Google Docs at Google.com.
  6. Microsoft Word
    The holy grail of clean, simple, easy-to-use word processors. There’s very little learning curve with Word, and you can export to a variety of file types. There is a recurring fee with Microsoft Office 365, but that subscription provides you with cloud-based storage for your files. There’s also an option for a one-time fee, but that limits you to one device. Be sure to save often in case of a crash, however, or you’ll lose all your work.

    You can find Microsoft Word at Microsoft.com.

There are a ton of other writing tools and programs you can utilize, such as ProWritingAid. Sometimes, however, I find good ol’ fashioned pen and paper are my best tools for writing, especially when I’m stuck on a particular scene.

What are you favorite writing programs to use for your craft? Let me know in the comments!

Story Ideas: Where to Get Them

Sometimes, it feels as though the ideas just won’t come. Your brain is dry of all inspiration. You stare blankly at a blank screen, attempting to will yourself to think of something, anything, to write. Maybe you’ve already written one manuscript and are attempting to write a second one. Maybe you’re worried you only had one good idea in you. I am here to tell you that there’s hope!

Photo by iam hogir from Pexels

Coming up with a story idea is just the first step in novel writing. Without an idea, there’s nothing to write about. Fortunately, inspiration can come from anywhere. I personally enjoy prompts, and currently have six or seven novel ideas written down in my notebook, thanks to various prompts I’ve found on the web. The current first-draft manuscript I’m working on, End of Days (working title), was inspired by an episode of Gotham. A lot of elements of my stories are derived from real-life situations from my own experiences.

So, yes, you can find inspiration from all around you, whether it’s a snippet of conversation you happen to overhear, or someone you see in public for a character idea. The world around you is rife with story ideas; you just have to reach out and snatch them up.

Here are a few places you can look for inspiration:

  1. Story/Dialogue/Character Prompts
    You’ll find tons of these on the internet on various writing websites. You can even find them sorted by genre. They’re little one- or two-line bits of text, usually with a premise of some sort of setting, situation, dialogue, or person. Personally, I find these very helpful for coming up with at least a premise of a novel, even if I haven’t come up with an entire plot yet.
  2. The Classics
    There’s no denying that Little Shop of Horrors is a work of pure musical and story-telling mastery. (Okay, I admit it — it’s my favorite musical, and I’m dying to see the current off-Broadway cast.) I was interested to learn that the stage version (not the movie version!) is based on the Greek tragedy of greed — the idea that greed kills anything and everything around you. The lyrics of Little Shop of Horrors also draw from the 18th century German literary movement, Sturm and Drang, to add to the feel of the play. (“Feel the Sturm and Drang in the air, yeah.”) So, my whole point? The classics, including Roman and Greek mythology, can be great for inspiration.
  3. Ask Yourself: What if?
    Real life is great for finding story inspiration. Whether it’s an interaction you had with a friend, someone you saw in public who was intriguing, or that time you were in the hospital, you can draw from the world around you. Take that one little snippet and ask yourself, “What if?” Some of the greatest story ideas start with a simple question: What if?
  4. Fairy Tales, Fables, or Legends
    Similar to looking to the classics for inspiration, you can find great ideas by taking a peek at fairy tales or old folk tales. Wicked was inspired by The Wizard of Oz and tells the tales of the great witches of Oz.
  5. Analyze the Elements of Fiction
    Consider the important elements that make up fiction: character, plot, setting, style, point-of-view, theme. Pick one and really think about what you would like to read in a work that has that element, whether it’s a certain strong character, a particular setting, a theme that’s personal to you.

There are a lot of places to find inspiration for a story idea; you just have to look around! Of course, coming up with a spark of an idea is just the beginning — you then have to build the story around the elements of fiction.

Where do you get your story ideas?